Protected: Chapter 36 – Calcutta 1908: Apocalypse Now

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Yeah, What She Said

[caption id="" align="alignright" width="299" caption="Brooklynite Theresa Rebeck"][/caption]

Today I’ll let Theresa Rebeck do my whining for me, via her smart discussion about her new play The Understudy now in previews at the Wilma Theatre in Philadelphia; a play in which she says “she has tried to strike a balance among three needs – to entertain; to tell the truth about our lives; and to

Brooklynite Theresa Rebeck

Today I’ll let Theresa Rebeck do my whining for me, via her smart discussion about her new play The Understudy now in previews at the Wilma Theatre in Philadelphia; a play in which she says “she has tried to strike a balance among three needs – to entertain; to tell the truth about our lives; and to let that spiritual thing called drama happen” (Philadelphia Inquirer).

“A lot of what happens in show business is just horrible,” she says, drawing on her experiences in film, TV, and theater, “and with next to no reason for it. Your life is out of your control. Constantly, you’re wondering, ‘Why did they pull the plug on that production? Why did they do that to me? What are people behaving like this for?’

“And after a while I came to see that the capitalist cruelty growing out of the drive for profit was behind it,” she says. “It’s a kind of senseless, dehumanizing, totalitarian force. The New York theater world is very often just as weird as the world of TV and film.”

Couldn’t agree with her more. Looking forward to seeing The UnderstudyFull Inquirer story by John Timpane here.

[image via philly.com]