My Way or the Yahweh

wapo


On Faith

A Jewish-Hindu connection

Talk about a crazy commute. After a spiritual encounter, a stranger and I spent the next 90 minutes discussing the nature of the universe.

Jeffrey Stanley, 7/23/13

Not so long ago after nearly 25 years as a hidebound New Yorker I moved to Philadelphia for my wife Pia’s career needs, inadvertently becoming part of a popular regional migration known to urban statisticians as the 6th borough phenomenon. She’s Indian-American and we’re raising our child in a bilingual home. I’m a writer and professor. She’s a scientist by day and an Indian classical dance professional by night. Religiously we are at best agnostic but culturally we are Hindus, and will identify ourselves as such when pressed, like on the hospital intake form the first time we took our baby in for a routine doctor’s visit.

This identification sits well with me. Despite growing up Nazarene in the Bible Belt I had long ago developed an affinity for Hindu philosophy—ever since I’d come across a used copy of the Bhagavad Gita at a flea market in high school and realized how similar it was to the New Testament. I still remember the perplexed look on my Sunday school teacher’s face the morning I brought the Gita to church. I had marked the sections that reminded me of Christ’s words in the Sermon on the Mount with an orange highlighter and asked him why Hindus were all going to Hell and we Christians weren’t. Suffice it say I quit going to church not long after that. Christianity just wasn’t speaking to me. When I met my wife-to-be years later while canoeing in Brooklyn’s fetid Gowanus Canal I fell in easily with her cultural worldview. We were a match made in moksha.

Imagine my surprise when, on a recent Friday afternoon while returning to Philly on a crowded New Jersey Transit train out of Manhattan’s Penn Station I came face to face with the power of YHWH.  I have regular writing and teaching obligations in New York City so I typically commute between the two cities once or twice a week. The pre-rush hour train was unusually packed and it was running local but that was fine with me. In fact I had chosen the local on purpose, adding an hour to my travel time to get as much work done on the typically placid ride as possible before reaching home and hurlyburly.

Still awaiting departure from Penn I sat alone next to the window of my three-seater bench, opened my netbook, and sank into writing comments on my university students’ movie scenes. This was my Screenwriting II class and the scripts weren’t half bad. I had barely made a dent in my work when a rocker in a long-sleeved T-shirt, jeans and two black triangular ear studs plopped down next to me. I felt mildly annoyed by the disruption as he took off his coat and tossed it on the overhead rack along with his bag, and I was relieved when he settled into his seat, took out a paperback and began to read. Hallelujah, he’d be quiet like me instead of yammering away or playing videogames on a so-called smartphone. I continued my work in peace but couldn’t help noticing that he was reading a book on Hinduism. Another time I might have struck up a conversation but I had a lot of work ahead so I kept my nose to the netbook.

The train quickly filled. A few moments later a third passenger plopped down next to us on our bench. I could guess from his dark coat and black hat that he was an Orthodox Jew. Despite his conservative dress and wireframe glasses I could tell he wasn’t much older than 30. The train pulled out.

Almost immediately he started in with our mutual seatmate. “Excuse me. Are you Jewish?” A ha! A Lubavitcher. Here comes the proselytizing, I thought. I’d been a New Yorker long enough to have at least a vague understanding of the Brooklyn-based Chabad-Lubavitch movement and to know that they were some kind of Jewish mystics. I’d been there in the early ’90s when their leader, the Rebbe Schneerson, had died after a prolonged illness while his followers had gathered in great numbers to keep vigil, many of them believing he was the moshiach. I had also been in New York long enough to know about their prowling Winnebagos dubbed “Mitzvah Tanks” that periodically stalked through town blasting Hebrew songs. They would pull over and set up camp on street corners all over Manhattan to go fishing, asking nearly every male passerby, “Excuse me. Are you Jewish?” Occasionally they’d snag one who nodded and they’d usher him inside their miniature rolling synagogue. For what purpose I wasn’t exactly sure other than some kind of counseling or offer of salvation. I had been tempted more than once to lie about my Jewishness and go aboard and find out what exactly went on in there and get whatever blessing they could lay on me. But they never even asked. A friend told me it’s because they could look at my Elvisy Appalachian face a mile away and tell I wasn’t Jewish. I refused to believe that. If they could tell just from looking who’s Jewish and who’s not then why go around asking everyone before launching into their spiel?

So now, sitting there on that fast-moving train I pricked up my ears at the conversation unrolling before me. How would our seatmate answer? He said yes, he was Jewish, but quickly put up his hand. “But I’m not interested, I just want to sit here and read.” The Lubavitcher introduced himself anyway. His name was Lev. The reader was Dan. Dan sighed and put down his book, realizing he was cornered.

Lev wanted to know all about Dan’s history as a Jewish man in New York and what led him to fall away. Had he gone to a yeshiva as a child? Yes. In fact, he had been on Long Island that very afternoon visiting a friend. He had taken a wrong train and wound up in the middle of nowhere. When he realized his error he hopped off but had no ready cash to pay for a return ticket. He took to the streets and asked a rabbi parked in front of a yeshiva the way to the nearest ATM. The rabbi instead gave him money to buy a ticket, no questions asked. Dan had refused at first but the rabbi insisted, telling him he could repay the favor by promising to do one mitzvah, or good deed, for some other stranger on the way home. Little did Dan know I was about to become that stranger.

Did Dan ever go to synagogue, Lev wanted to know? “Rarely. But I’m still interested in G-d,” Dan explained. “That’s why I’m—” he gestured to the book on Hinduism. “My mom just brought this back to me from India.” At that I was boiling to become a busybody and jump into the conversation. I’ve been all over India by now and had just come from my most recent trip there a few weeks before. Where in India had his mom visited? How long had she been there? Had Dan ever been to India himself? Stay out of it, Stanley, or you’re not going to get a damn thing done, I told myself. I bit my tongue and kept working.

Lev couldn’t understand how a hippie book on Hinduism was going to supplant the teachings of the Torah. Dan tried to explain it to him. “I believe all religions are kind of saying the same thing and all pointing us toward the same truths. That’s why my mom got me this. She knew I’d like it.”

Now I couldn’t help but avert my eyes to his book and burn holes in it, scouring the cover to see exactly what it was he was reading. I could tell it wasn’t the Gita. I checked the fine print at the bottom and damn if it wasn’t published by the Sri Aurobindo Ashram. My heart nearly jumped out of my chest, as I had learned about Sri Aurobindo on my most recent trip. Aurobindo was an Indian spiritual leader, philosopher, playwright and anti-British political activist in the early 20th century. In fact my niece and nephew attend a school in Delhi founded by one of his main devotees, and their school has a store for fundraising at which they sell handicrafts made at the Sri Aurobindo Ashram. I had brought some of these items home with me to give out to friends and colleagues.

Lev tried desperately to find some commonality with Dan to get him off this Hindu trip and back on the right track. He explained that as a Lubavitcher he too believed in the oneness of things, and that he had been taught to see only the goodness in people. That mystical approach did the trick and got Dan to open up to him a little more. Meanwhile I continued doing my best to tune them out and slip back into my own world. The train was now rolling out of the dark tunnel underneath the Hudson and emerging into the New Jersey swamps speeding toward its first stop: Secaucus.

“Would you like to use the Tefillin?” Lev eagerly asked him, presumptuously unzipping his satchel.

Lisa Cain in NYC

I urge you to hit the Harlem Book Fair this Saturday 7/21/12 at the Schomburg Center, 515 Malcolm X Boulevard (aka Lenox Avenue, aka 6th Avenue) at 135th Street. Very easily accessible on the 2 or 3 express train to 135th right outside the Schomburg’s door. Why are you going? So you can stop by the booth of acclaimed folk artist and my very good friend Lisa Cain.

"Juke Joint" by outsider artist Lisa Cain

I urge you to hit the Harlem Book Fair this Saturday 7/21/12 at the Schomburg Center, 515 Malcolm X Boulevard (aka Lenox Avenue, aka 6th Avenue) at 135th Street. Very easily accessible on the 2 or 3 express train to 135th right outside the Schomburg’s door.

Why are you going? So you can stop by the booth of acclaimed folk artist and my very good friend Lisa Cain. If you were ever in my Harlem home you saw a painting from her “Juke Joint” series hanging in my living room.

Lisa’s not only a folk artist, she’s a neuroscientist. Yep, one of the only black female neuroscientists in the US (not to mention a former Miss Jackson State University) and we’re talking Deep South here, people.

She’s a true outsider artist. In fact she and I first became friends at one of my favorite annual events, the Outsider Art Fair in New York City, about 6 or 7 years ago. Actually we met while sharing a Super Shuttle van from LaGuardia Airport while en route to the fair, and we’ve become close friends over the years.

As she explained it to me, Lisa tends to paint images from her childhood and that of her parents and grandparents growing up in rural Mississippi. What you’re getting in her paintings are snapshots of rural social life and religious events. Do not expect images of pain and suffering. Do expect whimsical scenes of survival, hope and jubilation.

 

 

NYU-SCPS Playwriting I begins Tuesday 6/5

Jeffrey Stanley’s 8-week summer course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Tuesday 6/5/12.

My 8-week summer course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Tuesday 6/5. This noncredit, ungraded, evening lecture and writing workshop covers the exact same dramatic writing and theatre history content I teach to matriculated undergrad students in my similar 3-credit, full semester courses at NYU Tisch School of the Arts and Drexel University Westphal College of Media Arts & Design in Philadelphia, only it’s much more affordable. You will write a lot, you will learn a lot, you will have fun. Learn more and enroll.