Tag: morbid anatomy museum

 

The Friday 2/27/15 show marked the New York premiere of Boneyards after my performing it regularly in Philadelphia since its launch in the 2013 Philly Fringe. The concluding séance was my first one at the Morbid Anatomy Museum and the results are in:  that sucker’s haunted.

My antique 1917 Ouija board with 1920 planchette was personed by audience volunteers Aaron and Chris while audience volunteer Josie stood aside and served as questioner.  The rest of the audience stood in a circle watching the disturbing, heart-breaking events unfold.

They contacted a presence/spirit/demon/subconscious ideomotor impulse (depending on your beliefs) named R U S T Y who was 7 and died In 2 0 1 0. Did he see the show? Y E S. What did he think of it? U 1 which I cheekily interpreted to mean “you’re number 1.”

Was he still in the cellar with us? N O. He was upstairs on the T O P  F L O O R of the two-story museum. How did he die? G U N. By whom? D A D.

Later he told us he had wafted back down to us in the cellar and that he was hovering at the C E I L I N G. Previously I had told the audience that from past experiences speaking with children on a Ouija board they tend to indeed talk like children, giving brief answers and also misspelling words. This was borne out when we asked if he could see us he said Y E S, thanks to the M E A R (mirror).

A full-length mirror is part of my set and is used at various times during the show. I also point out just before every séance that it’s there to provide a window for the spirits to see us and the show as, according to James Merrill’s epic supernatural poem The Changing Light at Sandover, ghosts get the best views of the living via reflections. Continue reading “It’s Official: Brooklyn is Haunted”