Kali gnashed her teeth
Scraping across the sky
We scattered in her sweat
Leaped across its rivers
Looking for hard cover
Relishing the dance
A chilly, snowy, slushy day in the Windy City. Awoke to falling snow and a forecast that had increased to 3 to 6 inches.
Another 10-mile run along Lake Michigan was out of the question so I ran 10 miles on a treadmill in my hotel’s fitness room. That might seem like a desperate act but after a 2 and half days of being sedentary on a train I had to sweat out some toxins and burn off the crazy.
Come wake the dead. Jeffrey Staney’s BONEYARDS returns for 2 final shows this Saturday and Sunday 11/2 and 11/3. Meanwhile please enjoy Stanley’s latest religion article in today’s Washington Post about my experiences contacting the dead as performance art over the past few years.
Come wake the dead. BONEYARDS returns for 2 final shows this Saturday and Sunday 11/2 and 11/3 in Philadelphia. Times and tickets.
Meanwhile please enjoy my latest article in today’s Washington Post about my theatrical experiments in contacting the dead as performance art over the past two years. Thank you for your support and patronage, and Happy Halloween.
October 31, 2013
On Faith Supernatural Skeptics Don’t Know What They’re Missing by Jeffrey Stanley
I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind.
I like Ouija boards. I’ve used them since I was a teenager. More recently I’ve messed around with electric spirit boxes, also known as Frank’s boxes after their inventor Frank Sumption. They’re radio receivers which allow you to listen to and record voices of the dead, also known as EVPs (Electronic Voice Phenomena) or Raudive voices, after one of their early discoverers. Over the past two years I have frequently used Ouija boards and spirit boxes in my performance art, attempting to conjure up the dead as my co-stars before a live audience. At one of the universities where I teach playwriting and screenwriting part-time I am also the faculty adviser for a student-led paranormal investigation club. Friends and fans assume I am a true believer but the truth is that I am not. I am a healthy skeptic. And that’s depressing for me because it means that on some level I feel certain there’s nothing out there. I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind. CONT’D>>
And also out today from Drexel University a story about the PIG of which I’m the proud faculty adviser…
Drexel Paranormal Investigators Haunted by the Unknown by Alissa Falcone
…It doesn’t hurt that the group’s faculty adviser also has an interest with the undead: By day, Jeffrey Stanley teaches classes in the Westphal College of Media Arts & Design’s Screenwriting and Playwriting Department, but at night he transforms into undead residents of cemeteries from all over the world during “Boneyards,” his performance that imagines supernatural comic monologues.CONT’D at drexel.edu>>
Philadelphia, PA –A real seance with real ghosts. But we don’t need to tell you that, you’ve already seen it. There are lots of Halloween events being promoted right now, especially of the big budget “haunted” house/prison/hayride/forest/valley variety with a cast of dozens of monsters/zombies/vampires/murder victims and we love those and patronize them as much as the next guy and gal every year, but why not consider something different for you or your friends eager to freak themselves out while also being profoundly movedon a spooky October night?
Transcripts and videos from previous shows are online for you and your colleagues’ perusal. We recommend you starthere . You might also want to check out the first EVP recording made in the 118-year-old synagogue that is the show’s location when New York City playwright and Drexel University Performing Arts faculty Jeffrey Stanley held the world’s firstghost auditions. Stanley, who often writes about religion for the Washington Post, will be discussing seance as performance art in that publication later this month.
Performance dates are 10/17, 10/20, 11/2 and 11/3. Thanks for your consideration and for supporting independent theatre in Philly.