mala – Jefe's House

Boneyards EVP Log – 10/20/13

Ghost: “Come to us.” Before proceeding I urge you, gentle reader, to read and view the previous show’s (10/17/13) seance summary as there is a direct carryover with this one culminating in my effort to conduct a “Buddhist exorcism,” for lack of a better description, on the 2-year-old “V,” a recent arrival at the synagogue and not one of the 12 original ghosts at this location that I call the Synagogue Saints.

All caught up now? Great, you may proceed.

Before proceeding I urge you, gentle reader, to read and view the previous show’s (10/17/13) seance summary as there is a direct carryover with this one culminating in my effort to conduct a “Buddhist exorcism,” for lack of a better description, on the 2-year-old “V,” a recent arrival at the synagogue and not one of the 12 original ghosts at this location that I call the Synagogue Saints.

All caught up now? Great, you may proceed. At the show’s climax audience volunteers Eric and Kristen personed the board. We at first assumed we were speaking with an adult spirit (or subconscious ideomotor impulse, depending on your beliefs) but then it kept spelling MAM, MAM, MAM over and over. At first we thought it was their initials but it told us NO.

Do you know anyone here? YES.

Who? LAURA.

Yep, there was indeed a Laura in the house who looked decidedly freaked at seeing her name spelled out on the Ouija board. How do you know Laura?

The response was more MAM over and over again.

LAURA: I don’t know anyone with those initials.

ME: It’s talking like a child saying the same word over and over. I think we’ve got a kid here.

MY USHER SUSAN: Do you mean MOM? YES … MAM, MAM, MAM.

Indeed the repetition was childlike and rather sad. We imagined a young child calling for its mother over and over and not sure how to spell it. This is extremely similar to my encounter with young MALA/MALALA 2 years ago during BZ:ABOTD who wound up following me from the Blue Grotto in West Philly to Plays & Players Theatre and taking up residence there but that’s another story. In short, it seems children who have died violent deaths are particularly frightened and stuck, not sure how to move on. Heartbreakingly, they especially want to find their mothers.

Where’s your real mom? KILLED.

Who killed her? Continue reading “Boneyards EVP Log – 10/20/13”

Dang. Sadly No EVP.

Please enjoy my 2nd Rep Radio interview. This one happened on 1/7/12 at midnight on the stage of Plays & Players, and it’s the aforementioned live ouija board session in lieu of a traditional interview, in hopes that interviewer Kristen Scatton and I could contact one of Plays & Players’ 3 resident ghosts, and we did with help from my frequent Philly ghost pal Mala. Sadly the recording contains no voices from the dead, aka, electronic voice phenomena. Why does it always work so well on Ghost Hunters?

Yes, Virginia, There Is a Ghost Boy

Last night my ongoing Ouija-as-theatre experiment continued for another round. Kristen Scatton of Philadelphia’s Rep Radio, who had already interviewed me several months ago for my 2011 Philly Fringe show, BZ:ABOTD, interviewed me again, this time in the context of my being one of this year’s 3 PDC@Plays&Players playwrights-in-residence (along with playwrights Brian Grace-Duff and Jeremy Gable).
She didn’t want a repeat of my first interview in August so I suggested something different — how about meeting me at midnight on the mainstage of Play & Players on the set of August Wilson’s Joe Turner’s Come and Gone (which opens January 19th and which is not to be missed) to see if we can contact the ghost of the small boy who has been spotted on the stage over the years. He’s one of 3 spirits said to haunt the hundred-year-old building.

Jeffrey Stanley — Photo by Iggy Rocketboy.

Last night my ongoing Ouija-as-theatre experiment continued for another round. Kristen Scatton of Philadelphia’s Rep Radio, who had already interviewed me several months ago for my 2011 Philly Fringe show, BZ:ABOTD, interviewed me again, this time in the context of my being one of this year’s 3 PDC@Plays&Players playwrights-in-residence (along with playwrights Brian Grace-Duff and Jeremy Gable).

She didn’t want a repeat of my first interview in August so I suggested something different — how about meeting me at midnight on the mainstage of Play & Players on the set of August Wilson’s Joe Turner’s Come and Gone (which opens January 19th and which is not to be missed) to see if we can contact the ghost of the Small Boy who has been spotted on the stage over the years. He’s one of 3 spirits said to haunt the hundred-year-old building.

My 1917 original William Fuld Ouija Board.

You can soon hear the full Rep Radio interview and the complete audio of our Ouija session so I won’t go into full detail here. In summary, MALA showed up again in her usual insistent way (MALAMALAMALAMALA) and confirmed that she indeed knew me and had last spoken to me upstairs in Quig’s Pub on 11/6/11. I asked her if she was doing okay and she said NO. I told her I wanted her to try and be happier in 2012 because she always seemed sad, and she said OK.

We asked Mala if she knew the Small Boy and whether he was hanging around onstage with us. He was. In fact he was standing directly to my right, upstage center, according to Mala. The Small Boy’s initials are AE and he talked about PLAYS and that he was in a play on that stage in 1945. Does he enjoy living at Plays & Players? NO. Why doesn’t he leave? LALALALA (a frequent Ouija answer in my experience, which I interpret to mean la la la la I’m not listening/can’t discuss it).

Broadway and silent film star, early screenwriter and Plays & Players co-founder Maud Durbin Skinner is also said to haunt the building.

In the end, chronically lonely little girl Mala confirmed that she liked the Small Boy and thought he was nice, so I asked if she’d like to stay on at Plays & Players and be friends with him. She said YES, so I felt good about finding her a much-needed playmate. Apparently in the process I’ve also brought another ghost into Plays & Players’ otherworldly fold. I hope Maud and Leon are okay with that and don’t get angry with me for crowding them out. It’s getting downright lousy with ghosts in there.

Proof of a spirit world, or proof of characters from mine and Kristen Scatton’s fevered imaginations conveyed via subconscious ideomotor impulses? Take your pick. I’m equally fascinated by both phenomena. For further reading I highly recommend James Merrill’s epic poem The Changing Light at Sandover.

See you all at Live Arts Scratch Night at the Live Arts Brewery on Thursday 1/12/12 at 7pm. It’s free, there’s cheap beer, and you can RSVP here.

[Maud Skinner photo via findagrave.com]