Portfolio

Race & Class peer-reviewed UK journal article:
Nil Darpan: How a Mistakenly Published Play Helped Force Labour Reforms in British India

Democratic Communiqué peer-reviewed US journal, featured critical commentary:
Calcutta 1908: Apocalypse Now

Contingent Magazine:
The RRRevolution Will Be Cinematic (paid film review and critical commentary)

Washington Post:
Supernatural Skeptics Don’t Know What They’re Missing
A Jewish-Hindu Connection
Four Pairs of Sandals as an Act of Faith

Brooklyn Rail nonfiction book reviews:
Exquisite Corpses
Holey Logic, Batman
Daddy, Who’s Grover Cleveland?
Theater of Cruelty

New York Times, “The City” section cover story:
Talk Radio (paid assignment)

Time Out New York Paul Robeson film festival preview:
The Last Emperor (paid assignment)

Book foreword:
Postcard Tales by Raja Singha

Drexel University Office of Global Engagement:
Jatra With Me

medium.com:
Distress Signals
A Hindu-Appalachian Christmas in the City of Brotherly Love

Hemispheres:
Full House (paid interview with rapper Nelly at international poker tournament in Monte Carlo)

Blog Posts:
My Visit to Minning Town (paid  assignment; TV series review and critical commentary)
Escaping the Racist Escape Room Paradigm
House of Time (film review)
Remnants of Jewish Kolkata
To Think That I Saw It On Markenpower Street

Published Scripts, Films, Podcasts and Performances:
The Jeff & Shuvam Show (film review podcast)
My role in the Indian film Manbhanjan
Tesla’s Letters (stage play)
Lady in a Box (award-winning short film)
Coast to Coast AM With George Noory (media appearance)
Continuing Revelation (paid industrial film)
Medicine, Man (stage play)
The End That Does senior editorial adviser (nonfiction book)
The Golden Horseshoe: A Lecture On Tragedy (theatrical performance)
Jeffrey Stanley’s Boneyards (theatrical performance)
The Great Kohinoor Diamond Heist (escape room intro video)

Never Forget


I realize there are numerous examples of horrific cruelty in our history — the Middle Passage and Concentration Camps always come to mind first and foremost — but here’s one more. We might want to call such crimes unspeakable but they need to be spoken.

Look up Reginald Edward Harry Dyer for the full scoop. The thousands of citizens, including entire families, who gathered were attempting a Gandhian peaceful protest during a religious festival when the city of Amritsar was packed with pilgrims and tourists. This tragedy occurred just down the hill from the Sikhs’ holy Golden Temple.

The protest was held on rented private property in a back alley courtyard. Dyer had stupidly issued a Jim Crow-like order barring Indians from congregating in groups of 6 or more (in their own country) and decided to make an example of this particular group that included children.  British sources gave a figure of 379 killed with 1,100 wounded. The Indian National Congress counted more than 1000 dead and 1500 injured.

Churchill later publicly called it a “monstrous” and UnBritish act, although I wonder what his private remarks might have been, given his well-documented scathingly racist remarks about Indians and his willful starvation of 3.5 million Indians, 24 years after the Amritsar Massacre, during the Bengal Famine of 1943.

Dyer was also all about half-naked public floggings of private citizens and his soldiers fond of stopping pedestrians and making them slither down the street like worms at gunpoint. The British parliament viewed Dyer as a hero. By the way, it’s reenacted in the movie Gandhi as one of the watershed moments leading up to the widespread popularity of the Independence Movement.

My son viewing the bullet holes.

Happy MLK Day

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MLK

“Cowardice asks the question, ‘Is it safe?’ Expediency asks the question, “Is it politic?” Vanity asks the question, “Is it popular?” But, conscience asks the question, “Is it right?” And there comes a time when one must take a position that is neither safe, nor politic, nor popular but one must take it because one’s conscience tells one that it is right.”

— Rev. Dr. Martin Luther King, Jr.

These Guys

shahebcafe

A Shaheb’s Guide to India

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The Sharma Handicrafts Guys.

Great story here about how I finally scored a hookah with my name on it after multiple letdowns in Kolkata, Varanasi and Lucknow. The short version – these guys in Delhi at Sharma Handicrafts were the bomb and we made a good deal on my last day thanks largely to shrewdness and translation help from my cousin.

I’ll have to post a photo of this 42″ stunning work of art, black with polished brass inlays in the Moradabad (ancient Muslim city) style. The owner stuck by his product, bargained fairly and gave me his card and said if there were any problems to come back and see him.

As soon as I left with hookah in hand and turned to take a pic of the shop he came out and posed without waiting to be asked. Then his two assistants trailed out one by one and struck poses on either side of him (they must have been a rock band in a previous career given how they naturally fell in line as though posing for an album cover).

I promised them I’d give the shop a plug online so here it is. If you’re ever in Delhi and looking for a brass shop, head to Sharma Handicrafts, Janpath Market, Stall 6. Tell them the saheb who bought the big black hookah sent you.

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Mr. Sharma’s business card.

Mirror, Mirror Reflection

I bet that somewhere in the back of your mind you recall a certain mirror made in 1937…

mirror1  mirror2

 

 

 

 

 

 

 

Now behold mine and my young son’s most ambitious crafting project to date, our own magic mirror.  Took us about a month to complete after spending two weeks learning the basics of the Arduino customizable circuit board.

 

Ingredients: homemade wooden case, old laptop, old flatscreen monitor, Arduino with proximity sensor and potentiometer (you know, a knob), two-way security mirror, lots of paint and plastic gems. More at creator Al Linke’s site  http://www.diymagicmirror.com.