Why is this man making a hand-rabbit? Scroll down to find out.
If you missed my interview last night with the masterful Tina Brock of theIRC and would like to hear more about my mis/adventures in India, my work as a Fulbright Scholar and the nonfiction book I’m currently finishing, along with Tesla, ghosts, paan, religion, David Ives, and a few other surprises, you can catch it here on the IRC’s youtube channel:
I’m thrilled to share this piece Drexel University asked me to write for their website. It’s only one small part of my Fulbright-Nehru research but the first that any of it’s been published (hopefully this is just an appetizer). I’m honored that they took interest enough to have asked me for it.
I’m honored that the Philly-based The Bridge PHL theatre company has invited me to give a lecture and workshop on Jatra theatre, one of my research areas as a Fulbright-Nehru Scholar.
Jatra is a Bengali word meaning travel or journey. Jatra theatre, or jatra opera as it is often called in India, is a form of mobile, traveling folk theatre native to India’s northeastern state of West Bengal, dating back several centuries.
By the 19th century, jatra companies began to look away from the purely religious themes that had been their core function, and began to tackle historical subjects and social issues.
Jatra has functioned as a living newspaper, long before any of its playwrights and performers had heard of Theatre of the Oppressed (Augusto Boal hadn’t even been born yet). Long before Brecht, jatra companies worked in a tradition of intentionally nonrealistic acting and minimal use of props and set.
And there is so much more to tell…
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Mine is not an official US Department of State website. The views and information presented are my own and do not represent the Fulbright Program or the Department of State