Philadelphia City Paper also sez PMI Rocks

Pardon My Invasion
Through Nov. 19, $15-$20, Plays & Players Theatre, 1714 Delancey Place, Philadelphia

by Mark Cofta, City Paper

Smart and silly, Joy Cutler’s Pardon My Invasion receives an impeccable première by director Cara Blouin in Plays & Players’ 50-seat studio. Emily Gibson plays Penny, announcing, “There’s a man inside me.” Soon soldier Pvt. Mac takes over.

Pardon My Invasion

Through Nov. 19, $15-$20, Plays & Players Theatre, 1714 Delancey Place, Philadelphia

by Mark Cofta, City Paper

Smart and silly, Joy Cutler’s Pardon My Invasion receives an impeccable première by director Cara Blouin in Plays & Players’ 50-seat studio. Emily Gibson plays Penny, announcing, “There’s a man inside me.” Soon soldier Pvt. Mac takes over, requiring Gibson to play him trapped in a teen girl’s body, accomplished brilliantly. Pulp fiction writer mom Jennifer Summerfield copes not only with Penny’s boyfriend (Julian Cloud) and a curious cop (Theresa Leahy), but imaginary characters from her fiction and CONT’D AT CITYPAPER>>

Philadelphia Inquirer sez PMI rocks

Rave review of Joy Cutler’s Pardon My Invasion in the Philadelphia Inquirer.

Review: Pardon My Invasion

by Wendy Rosenfield, Philadelphia Inquirer

So here’s a real surprise: On the third floor of Plays and Players Theatre, there’s a world premiere by an under-the-radar local playwright — Joy Cutler — filled with amateur actors, directed by a relative newcomer. All outward signs indicate a hot mess; instead, it’s a blast.

Cutler’s oddball black comedy, Pardon My Invasion, features an AWOL Iraq war soldier hiding, Exorcist-style, inside the body of Penny, a 13-year-old American girl whose single mother Rita (Jennifer Summerfield) writes pulpy detective novels for a living. And that synopsis only covers the first few scenes.

Last season, director Cara Blouin created Dan Rottenberg Is Thinking About R@ping You, a sharp comedic, feminist response to the Broad Street Review editor’s article blaming CBS News reporter Lara Logan for her own sexual assault. Blouin’s the right woman for this job too, blowing up Cutler’s surreal take on sexual politics into Roy Lichtenstein territory with big, bright cartoons whose primary-colored confidence threatens to either saturate the mere mortals around them or smother them.

The Army, particularly tough-as-nails moustachioed Sarge (Joe O’Brien, who literally somersaults onto the stage and maintains that momentum throughout), teaches men to kill or be killed; Rita’s novels show women, particularly her main moll Honey Babe (an outrageously busty, lusty Angela Smith), as red-dressed, red-lipsticked carnal dynamos.

Meanwhile, Rita and Penny — along with that body snatcher, Pvt. Mack Jack (Emily Gibson, both vulnerable and hilarious in each role) — exist much further down the charisma spectrum, sorting through their own CONT’D AT PHILLY.COM>>

Pardon My Invasion Begins Tonight at Plays & Players

Pardon My Invasion by Joy Cutler opens 11/3/11 at Plays & Players in Philadelphia, PA.

by Anna Pan, Philadelphia City Paper

If you were a private in the army and went AWOL in Iraq, where would you hide? In the body of a teenage girl, of course.

Plays & Players is presenting the world premiere of Joy Cutler’s Pardon My Invasion, an adult dark comedy about Private Malcolm Jack and his residency in 13-year-old Penny’s body. Penny’s mother tries to lure Jack out, and what follows is nothing but pure, rowdy fun.

Naturally, casting Penny/Private Jack was no easy feat. “This city [has] an amazing abundance of quality young female performers — but to find one that can be a 13-year-old girl going through puberty and a [twentysomething] male full of the bravado and the pain necessary to represent a soldier, well, it was no easy task,” says artistic director Daniel Student. “Emily Gibson has both the natural instinct to take on both of these characters.”

Plays & Players has been heralded in Philadelphia Magazine’s Best in Philly issue twice in a row, and this is the fourth year in a row the theater is featuring the world premiere of a local playwright. “It feels that each year we are able to stretch our CONT’D AT CITY PAPER>>

Obama Voters: Stand By Your Man

I sang that then and I’ll sing it again. I was saying it in 2007 when directing a small revival of Sam Shepard’s The God of Hell, a 2004 anti-Bush play yes, but as I told the cast then, it’s a play about big government gone out of control and extends beyond Bush. I told them electing a Democrat

I sang that then and I’ll sing it again. I was saying it in 2007 when directing a small revival of Sam Shepard’s The God of Hell, a 2004 anti-Bush play yes, but as I told the cast then, it’s a play about big government gone out of control and extends beyond Bush. I told them electing a Democrat isn’t gonna get us out of the Middle East, and that therefore this diabolical little play will remain relevant for years to come. At least Obama was up front in his platform from the outset.

I guarantee you someone out there’s printing up bumper stickers right now that read Nobomba, and they’ll sell like hotcakes to the same disillusioned liberals who put him in office. I am one of those people who put him in office and I’m proud of it. I still proudly display my Obama-Biden ’08 bumper sticker on my front door, but I’m no fool, and I never supported all he stood for. One delusion lots of his supporters seem to suddenly suffer from is that he claimed to be some sort of peace bringer, the antithesis of warmonger Bush, when this was never the case. Do you all, my fellow Obama voters, have amnesia? You’re intelligent people, I know you are. So why have you forgotten that going into Afghanistan was part of his platform all along? Don’t you remember his constant stumping that under Bush we “took our eye off the ball” in Afghanistan?

These past months of his “deliberation” about whether to send more troops and the right’s attacking his military “indecisiveness” have all been rhetoric and theatre. He knew, the right knew, and I for one knew (and come on, be honest, Obama fans, you knew, too), what his decision would be all along. At least credit him on this point for delivering the change he promised, whether you agree with that change or not: we’re getting out of Iraq and going into Afghanistan. The times they are a’changin’. And a’stayin’ the same. And deep down you knowed they would.

He is also working to stop torture, to close Guantanamo, and has been pushing relentlessly on health care reform, no? Give him a break and don’t burn your Obama t-shirts just yet.