Boneyards EVP Session – 6/27/15

The Saturday 6/27 show concluded with yet another simultaneous Ouija board-EVP session that gave us all plenty to talk about. Audience volunteers JOY and JOE (not the same Joe who sat at the board in the previous show) personed the board while the audience and I gathered round to watch. Joy and Joe contacted someone named V I V (short for Vivian, or perhaps it’s 3 initials) who was 7 8 years old and standing to my R I G H T.

 
Those who live, live off the dead. Likewise death, too, has to live.
The theater, which is in no thing, but makes use of everything —
gestures, sounds, words, screams, light, darkness –
rediscovers itself at precisely the point where the mind
requires a language to express its manifestations. To break
through language in order to touch life is to create or recreate
the theatre.
– Antonin Artaud

suitcaseThe Saturday 6/27 show concluded with yet another simultaneous Ouija board-EVP session that gave us all plenty to talk about. Audience volunteers JOY and JOE (not the same Joe who sat at the board in the previous show) personed the board while the audience and I gathered round to watch. Joy and Joe contacted someone named V I V (short for Vivian, or perhaps it’s 3 initials) who was 7 8 years old and standing to my R I G H T.  What did she think of the show?  S U B T L E.  (That was a first, and a particularly eloquent response that made me blush underneath my sadhu ocher, ash and dirt).  Did she know anyone in the audience? YES.  J O E.  How did she know Joe?  H O M E. Joe and I didn’t like where this was headed so I quickly changed the subject:  would Viv like to speak with us electrically?  YES.

I took a few steps away and fired up my trusty P-SB7 “spirit box” and connected it to a loudspeaker as usual.  Somewhere between the hiss of the spirit box and my ad libbed one-liners Viv’s seemingly jovial mood changed and she suddenly got annoyed with us.  When I asked if she could say my name, a voice Continue reading “Boneyards EVP Session – 6/27/15”

Boneyards EVP Session – 6/19/15

We had an enthusiastic crowd Friday night for my first show and first concluding seance at the Art Church of West Philadelphia. The Ouija board was personed by audience volunteers JOE and JOHN and the planchette was zooming about urgently.

jeff boneyards
“American sadhu.”

We had an enthusiastic crowd Friday night for my first show and first concluding seance at the Art Church of West Philadelphia. The Ouija board was personed by audience volunteers JOE and JOHN and the planchette was zooming about urgently. We spoke to a M A N who was 5 0 and A R M E N I A N who told us he did not speak or write English well.  His name was L A M E K (Lamech? A Hebrew surname; were we talking to an Armenian Jew?).

IMG_0393
This photo of a gangplank leading down to the Armenian Ghat is a key part of the show.

Kolkata’s Armenian Ghat, a former loading dock along the banks of the Hooghly built long ago by Armenian merchants, is mentioned in the show, and after the Ouija board spelled the word Armenian an audience member, someone who was not touching the board, spoke up and self-identified as Armenian).

I asked Mr. Lamek if he knew anyone in the audience and he spelled J O E. When asked if he had a message for Joe it spelled out L A L A L A L A over and over. This oblique response has happened to me twice before (in 2011 during my previous show Beautiful Zion: A Book of the Dead and in 2012 during a midnight seance on the stage of  Philadelphia’s historic Plays & Players Theatre) and my belief is that it means the spirit doesn’t want to answer the question, or Continue reading “Boneyards EVP Session – 6/19/15”

Plays & Players Ouija Log – 11/6/11

Plays & Players playwright-in-residence Jeffrey Stanley holds a seance using a Ouija board and contacts Mala.

I was delighted last night to hear again from spirit MALA during our Ouija session that was part of my Plays & Players playwright-in-residence presentation. I began with a little shtick I wrote just for the occasion, then called for volunteers, BZ:ABOTD-style, and moved us all across the threshold from the Skinner Studio stage into Quig’s Pub where we all stood around a table watching the two volunteers try their hands at my antique William Fuld original Ouija board. Our goal was to contact one of the theatre’s 3 resident ghosts.

At first, lots of jibberish despite multiple partners and switch-offs and trying to get the board warmed up. There were a few early highlights, like my asking, “Look, is there anyone there who just wants to cut the jibberish and talk to us in plain English using simple words?”

The response was a swift NO.

At one point it blurted out OZ which got lots of oohs and aahs. Later one of the volunteers emailed me that she got home and flipped on the TV only to see that The Wizard of Oz was indeed on that night.

But whenever it was my turn to switch in with a partner it shot back and forth from M to A to L to A to M to A, sweeping a wide arc back and forth across the board nonstop. It wouldn’t answer any other questions. It was, like, in this catatonic state. I’d get up and let a new partner take over, but 10 minutes later when it was my turn again it’d shoot back to M A L A M A L A. As obvious as it seems now (duh) I kept guessing at names…”Are you Mama?…Alam? … Lala?”

Thankfully someone chimed in, “My guess is it’s a child.”

“Are you a child?” I asked the board. At that she finally stopped the chant and went to YES.

“You’ve been trying to talk to me all night. Do you know me?”

YES

“Have we met before?”

YES

“What’s your name?”

MALA

“Oh! You’re Mala. From my show!”

YES

“You’re the little girl.”

YES

(to the crowd) “This is a little girl I met during my show. She was killed by her mother. (to Mala) You followed me here from the Blue Grotto to Plays & Players?”

YES

“Are you in the room with us?”

YES NO YES NO YES NO (this indecision was also evident during her previous session with me; the personality and her reluctance or uncertainty with her state seemed consistent, as did her childlike repetitions of “MalaMalaMalaMala” and previously “MomMomMomMom” for emphasis)

“Your mother killed you, right?”

YES NO YES NO YES NO

(In our previous conversation on 9/15/11 her discomfort with discussing the details of her death (stabbed by her mother) and her insistence that she has forgiven her, felt consistent again with her current indecisive answers. Previously her discomfort was indicated by the constant use of the infinity sign when she wasn’t sure how to answer; tonight it was the YES NO YES NO maneuver.)

I got tired of monopolizing the board so I stepped away for a slice of pizza while two others continued the chat. I told them Mala was a lonely little girl who meant no harm and to chat with her for a few minutes. I’m not sure of the outcome but I know their chat with her was brief because the board was soon abandoned. People kept admiring it and discussing it but no one would dare to use it. I offered to use it with someone but no one would take me up on it. Everyone seemed too spooked by the Mala thing.

So, not exactly an earth-shattering session but a good experience overall and I was happy to chat with my otherworldly pal Mala again. Most disappointingly no contact was made by any of Plays & Players’ supposed ghosts. Maybe they’re just a legend…

TO BE CONTINUED.