Thank You, Mario!

Wow. Thank you so much, Drexel University, for the terrific article. The photos bring back a flood of memories, and I hope my tips are helpful to current Fulbright applicants.

Two stills from my scenes in the Hoichoi streaming series Manbhanjan directed by Abhijit Chowdhury, starring Anirban Bhattacharya and Sohini Sarkar.
Mario the Dragon, Drexel University’s mascot.

Forgotten Founding Fathers

LOVE this article from WHYY Philadelphia about the New Freedom Theatre’s play Forgotten Founding Fathers, a rap and hip-hop performance about the US’ unsung Black heroes, and the recent meeting between the great-grandsons of Frederick Douglass and John Brown organized by the theatre. I was amazed to learn that when Brown was famously hanged for treason he was wearing a pocket watch Douglass had given him. Brown’s great-grandson recently returned the heirloom to Douglass’ great-grandson.

Douglass refused to finance or participate in John Brown’s raid, which was intended to spark an armed slave revolution, but later celebrated Brown as a martyr and said Brown’s attack had been a “thunder clap” to awaken Americans to the fact that the time for compromises was gone, and that it was time to take up arms (meaning join the Union army) to end slavery. Henry David Thoreau was also an ardent defender of John Brown.

One thing not mentioned in the article, and I daresay I’m the first to make the direct connection through my own archival research in India, is that Brown and Douglass and people whom they inspired would, decades later, serve as direct inspirations to armed Indian revolutionaries fighting the British Raj in Calcutta starting in 1908.

If you want a glimpse of that history and the John Brown connection, it’s in my critical commentary in the latest issue of peer-reviewed academic journal Democratic Communiqué at .

It’s only one slice of a much larger story I’ve written. I’m not condoning or condemning revolutionary violence. We all have our positions on that, usually on a case-by-case basis, and that’s okay. I’m eager to shine a light on this history. More to come.

PS – there are a couple of minor errors in the WHYY article; it’s Crispus Attucks, not Crispin, and Brown was executed in 1859, not 1857.

Rise, Roar, Revolt

I’m so happy to share that my article “Calcutta 1908: Apocalypse Now” has been published in the latest issue of the peer-reviewed scholarly journal Democratic Communiqué as the featured critical commentary.

Can theatre and film help spark an armed revolt? I believe they can, and that they did, specifically Indian theatre artists and India’s first silent filmmakers, in the capital of British India in 1908, in response to the Partition of Bengal and the systemic sentencing of children to public floggings.

My article is, in my view, a timely exposé of crimes and human rights abuses committed by the British Empire that have largely gone unreported in the West, but which are increasingly coming to light in the news and in pop culture of late. I’m not condoning or condemning revolutionary violence. We all have our positions on that, usually on a case-by-case basis, and that’s okay. I’m eager to shine a light on this history.

I’m really excited to share this slice of my research as a Fulbright-Nehru Scholar in India. It is, I daresay, in-depth, yet it is only one part of a much larger story I’ve written.   

Democratic Communiqué focuses on “cultural artifacts, media and imperialism, media’s relatedness to social movements,  and the power of media to convey varying versions of the same event simultaneously.”  It’s housed on the ScholarWorks server at Umass Amherst

You can find it at the link below. I hope you’ll check it out. 

Continued at