Mantua Theater Project

I’m thrilled to have been a part of the incredible Mantua Theater Project this past weekend, sponsored by Drexel University and created by Drexel Theatre Program head Nick Anselmo. Nick modeled it on New York City’s 52nd Street Project where he used to work, based at my old stomping grounds The Ensemble Studio Theatre. He also previously replicated this phenomenal organization at a theatre in Trenton, NJ several years ago to work with economically disadvantaged kids there. Now he has replicated it for at-risk 4th through 8th graders in Philadelphia’s Mantua neighborhood which borders Drexel’s campus.

I’m thrilled to have been a part of the incredible Mantua Theater Project this past weekend, sponsored by Drexel University and created by Drexel Theatre Program head Nick Anselmo.    Nick modeled it on New York City’s 52nd Street Project where he used to work, based at my old stomping grounds The Ensemble Studio Theatre.  He also previously replicated this phenomenal organization at a theatre in Trenton, NJ several years ago to work with economically disadvantaged kids there.  Now he has replicated it for at-risk 4th through 8th graders in Philadelphia’s Mantua neighborhood which borders Drexel’s campus.

Nick’s technique is based on Daniel Judah Sklar‘s book Playmaking: Children Writing and Performing Their Own Plays which was the foundation for the 52nd Street Project.  This summer’s inaugural program at Drexel took  place over the course of four weeks during which Nick taught the basics of playwriting to about a dozen kids.

After that, the students were paired with professional playwrights for a retreat weekend, working one-on-one to create short plays.  That’s where I came in, helping an energetic 8-year-old girl realize her awesome creative vision with her Peter Panlike fantasy play Croc Galore which is 7 pages of poignancy and hilarity about two orphaned creatures helping each other survive in a jungle full of traps, danger and liars.  Hers and the other students’ plays are now being handed off to professional directors and actors, and will culminate with a performance for these young writers’ friends, families and community members on Drexel’s main stage, the Mandell Theatre, in August.  I plan to be there front row, center.

As Drexel’s website accurately puts it, “the process yields funny, creative, surprisingly truthful and often hilarious results. Along the way students develop self-esteem as they create something to be proud of.” Drexel students are also helping with various aspects of the program. Education, and Screenwriting & Playwriting students will be involved in the classes, and Theater students and alumni will help with the production.

Granny, 1967.

For me, a similar lifesaving program didn’t come along until I was a teenager. That program was the Young Writers Workshop at UVa which I’m glad to see is still going strong. Thanks to a partial financial aid scholarship from the good old Vinton, VA Moose Lodge across the street from my high school (thanks to the efforts of my profoundly influential 10th grade English teacher and lifetime friend Rose Townsend) and a donation from my now-departed grandmother, Ethel Orelia, who had an 8th grade education and had been out picking tobacco at the age of 4,  I was able to attend the 2-week UVa workshop two summers in a row.  The experiences I had there — visiting a college campus for the first time, getting a taste of college life, meeting professional writers and other like-minded kids — set the course of the rest of  my life.  I had been raised in a cash-strapped single-parent home and wound up becoming the first person in my family to attend college, let alone grad school, moving to New York City at age 19 with a one-way ticket and a duffle bag, and went on to terrific success as a dramatist and university faculty, and it all started because a writing workshop presented itself to me out of the blue.

I hope that my thimbleful of work this weekend yields similar results for these kids someday.  Not that  they all need to become playwrights but that they see there’s a whole, wonderful world just outside the borders of their own neighborhood and that they’re just as entitled to participate in it and have a piece of it as anyone else.

Congratulations to Nick Anselmo and the  Mantua Theater Project.

 

Bringing Death to Life

Plays & Players Resident Plots Future. A New York transplant, now residing in East Passyunk Crossing, presents his work to Philly crowds. by Jess Fuerst. On March 27, Jeffrey Stanley workshopped his play “UFOs Over Brooklyn,” which has been in development since 2001. “The intention is a little more of a showcase, for who in Philly might be interested in producing it,” Stanley said. Stanley is a resident at Plays & Players Theater, along with Jeremy Gable and Brian Grace-Duff, until September.

Philadelphia’s arbiter of good taste, the South Philly Review, sez don’t miss the 2012 Philadelphia Playwright Showcase April 25-28 @7pm.   Buy your tickets here.

Plays & Players Resident Plots Future

A New York transplant, now residing in East Passyunk Crossing, presents his work to Philly crowds

by Jess Fuerst

On March 27, Jeffrey Stanley workshopped his play “UFOs Over Brooklyn,” which has been in development since 2001.

“The intention is a little more of a showcase, for who in Philly might be interested in producing it,” Stanley said.

Stanley is a resident at Plays & Players Theater, along with Jeremy Gable and Brian Grace-Duff, until September. As such, the writer has access to stages and actors, as well as exposure within the local community.

“Promotion is also part of their agenda. They are not necessarily going to produce all plays residents write,” Stanley said. “It’s an introduction to other professionals in the Philly theater world, so there is a publicity component involved when they showcase us and Plays & Players gets to showcase itself.”

A New York transplant Stanley has spent the past year diving head first into the local community. His debut was a one-man show he wrote and starred in for last year’s Fringe Festival, entitled “Beautiful Zion: A Book of the Dead.”

“Why I did the Fringe was to announce my presence. It worked.  Well, it made them more aware. The decision makers … put me on the radar. They all came and saw,” the 44-year-old said. “It’s a dark comedy and autobiographical. A close relative of mine died of acute alcoholism, drank himself to death, and it’s about my year spent dealing with that.”

The show, which Stanley performed in a basement in West Philly, involved monologue pieces, as well as audience participation. Stanley asked for viewers to help him reach out to his dead relative through the use of a Ouija board, the result of which is the show’s grand finale.

“It culminates with starting them in another room, trying to make contact with the spirit world on my CONT’D at southphillyreview.com>>

 

 

 


Take the Leap on 3/27

Please join me on Tuesday, 3/27/12 at 7pm at Plays & Players Theatre in Philadelphia for a reading of my unproduced play UFOs Over Brooklyn, followed by Q&A.

Turning 30 is enough to drive you crazy.

At the intersection of sex and religion a frantic hipster and his goldfish take the ultimate leap of faith.

Please join me on Tuesday, 3/27/12 at 7pm at Plays & Players Theatre in Philadelphia for a reading of my unproduced play UFOs Over Brooklyn presented by the outstanding Drexel Players, Drexel University Westphal College of Media Arts & Design‘s student-run theatre company. The reading of this work-in-progress will be followed by a brief Q&A.

The wall-to-wall Drexel cast includes Dana Marcus, James Haro, Laurel Hostak, Rose  Koven, John Turnbach and Emily Kleimo.  Go Dragons, baby.

This is my 3rd play reading in as many months, and is connected to my residency as  one of 3 current PDC@Plays&Players playwrights-in-residence.

This particular play has had so many near-misses for production in New York and so many stellar actors reading the roles in public presentations  it makes my head spin (Naked Angels tuesdays@nine, Urban Stages, The Collective, the now-defunct Lightning Strikes Theatre Company, et al) Over the past several years  it took on a life of its own as a favorite for developmental readings (aka “development hell” in theatre parlance) , and also at Amherst College where an early draft was presented while I was a Copeland Fellow there in 2001.

This marks the first time the play has been presented in Philadelphia, and I welcome your feedback.  It’s a very dark, very sexy romantic comedy about two couples and a UFO suicide cult.   See you there.

WHAT:  UFOs  Over Brooklyn

WHEN:  Tuesday 3/27/12 @7:00pm

WHERE: Plays & Players, 3rd floor Skinner Studio; 1714 Delancey Place, Philadelphia

COST:  FREE but please RSVP to Dan Student at dstudent@playsandplayers.org .

 

 


NYU SCPS Playwriting I Begins 2/8/12

Jeffrey Stanley’s 10-week spring semester course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Wednesday 2/8. This noncredit, ungraded lecture and playwriting workshop covers the exact same dramatic writing and theatre history content he teaches to matriculated undergrad students in my similar 3-credit, full semester courses at NYU Tisch School of the Arts and now also at Drexel University Westphal College of Media Arts & Design in Philadelphia, only it’s much more affordable. You will write a lot, you will learn a lot, you will have fun. Learn more and enroll. You must sign up by 5pm on Tuesday 1/31.

My 10-week spring semester course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Wednesday 2/8. This noncredit, ungraded lecture and playwriting workshop covers the exact same dramatic writing and theatre history content I teach to matriculated undergrad students in my similar 3-credit, full semester courses at NYU Tisch School of the Arts and now also at Drexel University Westphal College of Media Arts & Design in Philadelphia, only it’s much more affordable. You will write a lot, you will learn a lot, you will have fun. Learn more and enroll.

See you there.

 

NYU SCPS Playwriting I begins 9/21

My 10-week fall course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Wednesday 9/21. This noncredit, ungraded lecture and playwriting workshop covers the exact same dramatic writing and theatre history content I teach to matriculated undergrad students in my similar 3-credit, full semester courses at NYU Tisch School of the Arts and at Drexel University in Philadelphia, only it’s much more affordable. You will write a lot, you will learn a lot, you will have fun. Learn more and enroll.

My 10-week fall course for adults, Playwriting I: The Fundamentals at NYU School of Continuing & Professional Studies begins on Wednesday 9/21. This noncredit, ungraded lecture and playwriting workshop covers the exact same dramatic writing and theatre history content I teach to matriculated undergrad students in my similar 3-credit, full semester courses at NYU Tisch School of the Arts and at Drexel University in Philadelphia, only it’s much more affordable. You will write a lot, you will learn a lot, you will have fun. Learn more and enroll.