House of Time

Kalkokkho
Kalkokkho, written and directed by Sarmistha Maiti & Rajdeep Paul

“Doomsday…Apocalypse…The End of the World…Earlier we used to see these only in foreign films. Apocalypse would happen only in their countries then, and a handsome male hero, just in the nick of time, would save everyone from impending doom. Though it had no relevance in our own lives, it was always great to witness it onscreen through the magic of movies. But in real life, Apocalypse is so boring, monotonous, like a slow-paced art-house film.”

This wry, meta-cinematic line of dialogue from Kalkokkho, or House of Time, the new feature film from Kolkata-based writer-director duo Sarmistha Maiti & Rajdeep Paul, aptly captures the mood many of us felt in the earliest days of last year’s nearly global Covid pandemic lockdown.  I remember falling into a black hole of depression for two weeks or so, lying on my sofa staring at the ceiling, feeling psychologically and spiritually immobilized; tied down, even.  Soon, however, I began to play the Glad Game, count my many blessings, untie myself and get off my self-absorbed butt.  I reminded myself that when the going gets strange, the strange get going.

My Dinner With Tina

Why is this man making a hand-rabbit? Scroll down to find out.

If you missed my interview last night with the masterful Tina Brock of the IRC and would like to hear more about my mis/adventures in India, my work as a Fulbright Scholar and the nonfiction book I’m currently finishing, along with Tesla, ghosts, paan, religion, David Ives, and a few other surprises, you can catch it here on the IRC’s youtube channel:

 

 

Film Appreciation Course with Debasish Sen Sharma Starts 8/15

film course
Can’t read it? Click it to enlarge.

I’m thrilled and honored to be a part of this great event with well-known Indian film director Debasish Sen Sharma. I won’t say I’m co-teaching, that would be too grandiose. It’s a 12-week course and I will be guest teaching one session on screenplay plot development as well as sitting in on all sessions. At a hundred bucks this is a steal and I’m happily volunteering my services to participate. Open to everyone everywhere. STARTS ONLINE AUGUST 15th.

Contacting the Dead in West Bengal

If you’d like a genuine Bengali planchette board just print this out on a sheet of 8.5 x 11 paper. Ideally a rupee coin would do the trick but you’ll have to improvise.

shahebcafe

 

 

 

 

A Shaheb’s Guide to India

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I’ve traveled India a bunch in the past five years and have learned that almost no one in India seems to have heard of a Ouija board. I’ve also been in tons of stores ranging from rustic bazaars to gleaming shopping malls and have never seen a Ouija board for sale even though they have plenty of other Western toys and board games.

People there do, however, know what you’re talking about when you explain it, only they call it “doing planchette” and those who do it would only ever make their own. The idea of buying one seems foreign to them. Culturally, “doing planchette” seems to hold the same place as it does here: spooky, scary, forbidden, inviting doom, naughty, tempting, very real. Once I got my wife’s Hindu family elders talking about it, they recalled tons of stories that pretty much parallel the kinds of escapades you hear recalled in the US.

Her great uncle warned me against it, telling me there’s a reason God has created two separate dimensions for the living and the dead, and that to try and bridge the gap is inviting trouble. He then told me how once as a young man he and a bunch of friends were vacationing in a small shack in the jungle on a wildlife preserve (the Indian version of the “cabin in the woods” archetypal horror setting) and one evening they got bored and someone made a planchette board. They typically use a coin as the planchette. They soon were in touch with a man who said he was recently deceased. He said he was a Naxalite (Indian Marxist rebel) who had recently been killed by a rival Communist. At that moment the lights went out, engulfing them in darkness. Everybody freaked, they balled up the planchette board and threw it away and my great-uncle vowed never to do the planchette again.

He remains true to his word. I asked him if he would draw one for me exactly as they had drawn them back in the day, and he grimly said, “This is not possible.”

I dropped the subject but later that evening I approached my wife’s grandmother to ask the same question. She shrugged and said, Continue reading “Contacting the Dead in West Bengal”

In the music category, the award for Trippiest Accidental Misuse of a Christmas Song goes to–

This video contain bangla bornomala with cartoon that will help child to learn bangla alphabet very easily.


“This video contain bangla bornomala with cartoon that will help child to learn bangla alphabet very easily.”