Prepare to be Judged, Judges

A fair question and an honest article and my honest, if not entirely fair, response…

dailydot

Why are 22 of the 24 new Amtrak writing residents white?

This year, a majority of those selected members are white, and many creatives aren’t happy about it.

Amtrak writes that “the residents offer a diverse representation of the writing community and hail from across the country.” There certainly is some representation of different backgrounds—lots of women, some LGBT writers, and some disabled writers, too. However, 22 of the 24 selected are white, and there is not a single black writer…

Residency judge Jeffrey Stanley provided the Daily Dot with a little more insight into the process.  CONT’D at Daily Dot>>

PS – Here’s the full text of my response:

Hi Jaya, I can only speak for myself as an individual judge. Indeed when I saw the photos of the winners yesterday for the first time when they were announced my heart sank. As you’ve said it’s diverse in so many other ways but there are no black faces. Obviously this wasn’t done intentionally. As a judge I had no clue of an applicant’s ethnicity, appearance, or with which affinity group they identify, unless they state it in their bio, artistic statement, or any autobiographical pieces they may have included with their writing samples. Judges aren’t given specific guidelines. Speaking for myself, I was looking first and foremost at the artistic merit of the sample, then their publication history that might qualify them as a professional writer pursing a writing career in earnest and not just as a hobby, and their statement on why this residency would be beneficial to them.  Should the application be modified for future applicants and judges instructed more specifically to weigh race in the application process?  Maybe so. These are issues faced by every theatre organization with which I’ve been involved as a board member, every screenwriting contest I’ve ever judged, any college admission portfolio I’ve been asked to evaluate.  I can’t speak for Amtrak but I would suspect they’d be wide open to suggestions for best practices for how to improve the diversity of the judges as well as the applicant pool.  Feel free to shoot me any followups. Happy to talk more.

Jeff

Night of the Punter (Bill’s pun, not mine)

NYC friends, do yourself a favor and check out my old friend Bill Syken‘s murder mystery Hangman’s Game. I know it’s great because I’m reading it now and because I was at his kickoff (see how I did that?) reading in Philly last month. It’s this Friday at 6:30pm at the Mysterious Bookshop, 58 Warren Street in Manhattan. Bill’s got a long history as a journalist and Sports Illustrated writer and his novel is set behind the scenes in the pro football world. Make sure to get your copy of the book autographed so you can sell it later and put your grandkids through college.

 

http://www.amazon.com/Hangmans-Game-Nick-Gallow-Mystery/dp/1250067154

 

I did not say “anyways”

Otherwise the section on Boneyards and me in this National Journal article by Simon Van Zuylen-Wood is accurate except where otherwise noted, which is everywhere. Ever feel icky and used by a fellow writer? This article seems disappointingly slanted at every small, contrived opportunity against the Amtrak superliner and against the writers’ residency. How smarmy and petty of the writer to cobble together his thesis in such a desperate way.

Otherwise the section on Boneyards and me in this National Journal article by Simon Van Zuylen-Wood is accurate except where otherwise noted, which is everywhere. Ever feel icky and used by a fellow writer?

amtrakcapture

LAST YEAR, AMTRAK LAUNCHED an odd initiative called the Amtrak Writer’s Residency. The idea was to send 24 writers wherever they wanted, on a long-distance train, where they would basically stare out the window and type on their computers. The program was bashed by conservatives and lightly mocked on the Internet; yet an astonishing 16,000 people wound up applying. Among the eventual winners were several high-profile media figures, including the writer Jennifer Finney Boylan and the public-radio host Marco Werman.

In mid-March, I met up in D.C. with Jeff Stanley, a 47-year-old Amtrak resident writer who would be taking the Capitol Limited to Chicago, before heading to San Francisco on the California Zephyr. Stanley, who wore an Ed Hardy–style Western shirt, is a playwright, performer, and adjunct professor both at New York University and Drexel University. A fan of all things occult, he staged his latest production in the basement of a South Philadelphia synagogue, where he used a Ouija board and a martini shaker, among other instruments, in an attempt to connect with the dead [see Boneyards].

“Now, supposedly, the old station at Harpers Ferry is haunted,” Stanley tells me, as we approach West Virginia, sitting in his sleeper car. He goes on for a while about a ghost called Screaming Jenny, [Um, no. I spent about 30 minutes between DC and Harpers Ferry explaining to this writer that I had visited Harpers Ferry many times due to my love of history.  I told him that the Capitol Limited runs the route of the former B&O Railroad, and that many times I’ve stood outside the small building that was the Federal arsenal which was seized in 1859 by radical abolitionist John Brown and a group of 20 followers including his son and five African-Americans. They holed up in the arsenal and were thwarted by a detachment of US Marines under the command of a young Robert E. Lee. 

I told him that in 1865 as the Civil War ended, Storer College opened in Harpers Ferry to educate recently freed slaves.  

I told him that years before John Brown’s raid and Storer College, Meriwether Lewis came to Harpers Ferry and waited while a local iron worker created a collapsible canoe according to his specifications. Lewis started out from here in 1803 in a Conestoga wagon following almost the exact same route that is now the very train line we were following. Lewis  met up with Clark near Pittsburgh to continue their journey West.  

Talking about the Lewis & Clark expedition got me thinking about Thomas Jefferson who funded it, and I mentioned to the writer that one of the many reasons I admire Jefferson is that whenever a slave in Virginia sued for his freedom Jefferson would represent them pro bono. He knew they would lose in court but he wanted to force the issue, make the judges, juries, reporters and politicians discuss the curse of slavery and the need to end it.  

All of the above got boiled down by the writer to “but, anyways.”  See below.

Continue reading “I did not say “anyways””