Rise, Roar, Revolt

I’m so happy to share that my article “Calcutta 1908: Apocalypse Now” has been published in the latest issue of the peer-reviewed scholarly journal Democratic Communiqué as the featured critical commentary.

Can theatre and film help spark an armed revolt? I believe they can, and that they did, specifically Indian theatre artists and India’s first silent filmmakers, in the capital of British India in 1908, in response to the Partition of Bengal and the systemic sentencing of children to public floggings.

My article is, in my view, a timely exposé of crimes and human rights abuses committed by the British Empire that have largely gone unreported in the West, but which are increasingly coming to light in the news and in pop culture of late. I’m not condoning or condemning revolutionary violence. We all have our positions on that, usually on a case-by-case basis, and that’s okay. I’m eager to shine a light on this history.

I’m really excited to share this slice of my research as a Fulbright-Nehru Scholar in India. It is, I daresay, in-depth, yet it is only one part of a much larger story I’ve written.   

Democratic Communiqué focuses on “cultural artifacts, media and imperialism, media’s relatedness to social movements,  and the power of media to convey varying versions of the same event simultaneously.”  It’s housed on the ScholarWorks server at Umass Amherst

You can find it at the link below. I hope you’ll check it out. 

Continued at https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1196&context=democratic-communique

Aurora Visible in India

Exciting news in the Times of India about my friends and colleagues at Aurora Film Corporation, India’s oldest continuously running production company.  Looking forward to seeing Kalkokkho (House of Time) written and directed by Sarmistha Maiti & Rajdeep Paul.

Adios, Miss Pilgrim

Frederica Sagor Maas, Silent-Era Scriptwriter, Dies at 111. New York Times obituary, 1/14/2012.

Frederica Sagor Maas, Silent-Era Scriptwriter, Dies at 111

By
Published: January 14, 2012, NEW YORK TIMES

“She told of Hollywood moguls chasing naked would-be starlets, the women shrieking with laughter. She recounted how Joan Crawford, new to the movies, relied on her to pick clothes. Almost obsessively, she complained about how many of her story ideas and scripts were stolen and credited to others.

“Frederica Sagor Maas told all — and maybe more — in interviews and in her memoirs, which she published in 1999 at the age of 99. Before dying on Jan. 5 in La Mesa, Calif., at 111, Mrs. Maas was one of the last living links to cinema’s silent era. She wrote dozens of stories, adaptations and scripts, sat with Greta Garbo at the famed long table in MGM’s commissary, and adapted to sound in the movies, and then to color.

“Perhaps most satisfying, Mrs. Maas outlived pretty much anybody who might have disagreed with her version of things. “I can get my payback now,” she said in an” CONT’D AT NYTIMES.COM>>